Monumental bronze scripture doors on a red-brick Washington museum

Museum of the Bible · Washington, D.C.

Founding scholar of a 430,000-square-foot civic museum

400 4th Street SW. Opened 17 November 2017. One of two founding scholars. Executive Director of Education through the opening. Senior Advisor to the President from 2020.

  • 2024Sagamore of the Wabash
  • 2021Three Telly Awards
  • 2020United Nations address
  • 2017Museum of the Bible opens
  • 2014Inaugural University Professor
  • 1994NEH · Isthmia / Corinth

The record

He did not decorate a museum. He helped stand one up.

In 2010 Jerry A. Pattengale became one of two founding scholars of Museum of the Bible, with Scott Carroll. He established the international Green Scholars Initiative and served as Executive Director of Education through the public opening on 17 November 2017. He left that directorship in December 2018 and returned in spring 2020 as Senior Advisor to the President.

The building is the former 1920s refrigerated warehouse at 400 4th Street SW, three blocks from the U.S. Capitol. Lead architect: SmithGroup. Official museum figures: 430,000 square feet; eight levels including basements; about 170 feet from lowest level to rooftop; construction and property more than $500 million. Three permanent exhibit floors — History, Stories, Impact — plus galleries, theaters, a children’s experience, research labs, and a rooftop garden.

In August 2015, while he was building the scholarly and education arm, the museum announced a long-term alliance with the Israel Antiquities Authority. Floor 5 still carries that partnership.

Pattengale in a museum gallery among cases of lamps, coins, and pottery
430,000
square feet
8
levels
> $500M
construction & property
17 Nov 2017
public opening

The doors, the nave, the garden

Daylit red-brick museum on a Washington plaza
Museum nave with limestone, marble, and a long luminous ceiling
Rooftop biblical garden
Dusk view toward the Capitol from a rooftop garden

Education inside the machine

What the Education Directorate was for

Give the public a tactile sense of the biblical timeline using peer-reviewed, state-sanctioned evidence. Give students and faculty a chance to work on real pieces rather than locking everything in a vault. That is the pedagogy he championed — galleries as classrooms, labs as extensions of the university. The Green Scholars Initiative was the research arm of that idea: Vatican, IAA, and Cambridge University Library partnerships; undergraduates and faculty on real papyri.

Scholars’ imaging lab with manuscripts under glass and camerasDaylit gallery cases of ancient lamps, coins, and pottery

Floor by floor

A visitor’s map, tied to his job

Floor names and uses follow Museum of the Bible’s published overview. Original architectural stills; not MOTB marketing photography.

Floor B1

All Creation Sings

Immersive worship experience on the lower level — the museum as a place you enter with the senses, not only with a ticket.

Floor 1

Grand Hall · Vatican Gallery · Courageous Pages

The civic nave: limestone, marble, and a long luminous ceiling. Children’s galleries and a long-term Vatican Museums / Vatican Library presence. This is the room visitors remember.

Floor 2

The Impact of the Bible

Permanent floor on how the text has marked law, letters, art, and public life. Education’s public argument: the Bible is not only believed; it has been used.

Floor 3

The Stories of the Bible

Immersive narrative of the Hebrew Bible and the New Testament — walk-through spaces, theater, and first-century settings. Story as pedagogy.

Floor 4

The History of the Bible

How the text was copied, canonized, translated. Hundreds of artifacts and media programs. Manuscripts, Torah scrolls, the slow work of transmission. This floor is closest to the scholar’s brief.

Floor 5

IAA · World Stage · Scholars Initiative

Long-term Israel Antiquities Authority gallery The People of the Land. World Stage Theater. The Scholars Initiative conference room — the research network Pattengale founded, written into the floor plan.

Floor 6

Biblical garden · views of the Mall

Rooftop garden and gathering rooms looking toward the Capitol. The museum as a neighbor of the American civic landscape, three blocks from the House.

Clay jars at a cave mouth at twilight

Scrolls

Editorial work, then an IAA exhibition

General editor, with Emanuel Tov, of Brill’s Dead Sea Scrolls Fragments in the Museum of the Bible Collection (2016). He was a program director and managing scholarly editor — not a Qumran cave excavator. Later, as Senior Advisor, he is institutionally connected to MOTB’s hosting of the authentic IAA exhibition “Dead Sea Scrolls: The Exhibition” (announced November 2025–September 2026). He is not listed as exhibition curator.

Official museum visitor guide